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Campus Art Collection

Campus Art Collection

Information about and images of the portraits and other art works that are located on the LSUHSC New Orleans Campus, including historical information.

Send inquiries to digitalarchives@lsuhsc.edu

Accessibility statement: Alternative text has been assigned to each image in the Campus Art collection. Please contact DigitalScholar@lsuhsc.edu if further assistance is needed.

Printing is not supported at the primary Gallery Thumbnail page. Please first navigate to a specific Image before printing.

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  • Framed, aged certificate titled “Military General Hospital Unit No. 64,” featuring a winged caduceus at the top. The document states it represents Louisiana State University School of Medicine, called to active service July 15th, 1942, and displays a handwritten roster. Names are grouped into labeled sections including Medical, Surgical, Dental, Laboratory, X‑Ray, Administrative sections, and Chaplains on yellowed parchment with visible wear.

    64th General Hospital Roster

  • A framed black-and-white portrait mounted on a light mat with a dark outer frame. The photograph shows a seated white man wearing a light-colored medical coat over a shirt and dark tie, with legs crossed and one arm resting across the lap. Other partial figures in similar coats are cropped at the left and right edges of the photograph. Beneath the photograph is printed text that reads: “WALTON R. AKENHEAD, M.D. (1911–1960). Professor and Head, Department of Medicine, 1954–1960.” The overall presentation resembles a formal commemorative or archival display.

    Akenhead, Walton E

  • A framed photograpic portrait altered to look like a painting of an older black man with short gray hair and a gray mustache, wearing a dark suit jacket, white dress shirt, and a striped tie. The painting is set within an ornate gold frame against a dark, softly shaded background.

    Alexander, Avery

  • Framed formal portrait of an older white man wearing a dark suit jacket, white shirt, and blue tie, posed against a light background with a cigarette in his hand. The portrait is matted in black and set within an ornate gold frame, with a small plaque centered below the image. by William Branks Stewart

    Ashman, Richard C

  • A framed pencil portrait showing a close-up of a white man with a bald head wearing round eyeglasses, a suit jacket, collared shirt, and tie. The drawing is rendered in grayscale with fine shading against a plain light background, and the frame is dark with a simple border. by Leslie Birke

    Bagby, Gregory J.

  • Black-and-white portrait of a middle-aged man in a light-colored suit and tie, seated with hands clasped, beside a clear display case holding a large molecular model. Curtains and shelves are visible in the background. A small plaque beneath the photo appears to read: “Nicolas G. Bazan, M.D., Ph.D., Boyd Professor, November 4, 1994.”

    Bazan, Nicolas G.

  • A framed oil portrait of a bald white man wearing a dark blue academic robe with a red sash over a white shirt and black tie, shown from the waist up against a muted blue‑green background, one hand resting over his chest, in an ornate gold frame. by Despujols

    Beacham, Hugh

  • Framed painted portrait of an older white man shown from the chest up, wearing a dark suit, white shirt, and blue tie, with glasses and neatly groomed facial hair, set against a dark background in a gold frame with a small nameplate at the bottom. by Malcolm Helm

    Bel, George S.

  • Framed oil portrait of a white man wearing a dark formal jacket, vest, and tie, with short hair, round eyeglasses, and a trimmed mustache and goatee, set against a dark, muted background in an ornate gold frame. by Franco Ruggiero

    Bel, George S.

  • Black-and-white photographic portrait of an older white man wearing glasses, a tie, and a white lab coat, seated at a desk with his hands folded over a stethoscope. He faces slightly left and looks calmly toward the camera; framed photos hang on the wall behind him, and a small nameplate is mounted below the photograph.

    Berenson, Gerald

  • A framed formal portrait of an older white man seated at a table. The person has short, wavy white hair and wears glasses, a gray suit jacket, a white dress shirt, and a dark patterned tie. Both hands rest on the table, one hand lying over the other, with a wristwatch visible and a stethoscope in his hands. The background is a softly blended studio backdrop in muted blue and gray tones. The portrait is enclosed in an ornate rectangular gold frame.

    Berenson, Gerald

  • A framed black-and-white portrait photograph of a white man wearing a white lab coat and dark tie, seated with arms folded across the chest. The person has neatly styled, dark hair combed back and looks slightly off to one side rather than directly at the camera. The image has a softly lit, neutral background that fades from darker at the edges to lighter near the center. The photograph is displayed in an ornate, gold-colored frame with decorative detailing, and a small metallic nameplate is centered along the bottom edge of the frame

    Blatt, Irving

  • Framed oil portrait painting of an older white man seated, wearing a dark suit jacket, white shirt, and dark tie. The person has short, thinning light hair, light-colored eyes, and round eyeglasses. The figure is posed slightly angled, with one arm resting on a chair arm, against a plain beige background. The painting is enclosed in a decorative gold frame with a small metal plaque centered at the bottom. by Verna W. Anbolo

    Broussard, A. Claude

  • Architectural elevation drawing of a large, symmetrical three‑story building from the early 19th century, shown in pale beige and gray tones. The building has a long rectangular façade with evenly spaced windows, decorative iron balconies across the second and third floors, and corner wings on both ends. A central pediment rises above the roofline, topped by a small cupola. Below the elevation, a partial floor plan is faintly visible. The drawing appears aged, with a parchment‑like background and fine line detailing.

    Charity Hospital, 1830s Architectural Drawing of Ground Plan

  • Framed panoramic black‑and‑white photograph of a historic city street, showing large early 20th‑century buildings lined with palm trees, streetcar tracks running down the road, and handwritten text reading “1921” near the top center.

    Charity Hospital, 1833

  • Faded aerial photo of downtown New Olreans with Charity Hospital and the LSU School of Medicine buildings in the center, additional mid-rise buildings, large parking lots, and a curving elevated Claiborne Ave on the edge.

    Charity Hospital, Aerial

 
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