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Campus Art Collection

Campus Art Collection

Information about and images of the portraits and other art works that are located on the LSUHSC New Orleans Campus, including historical information.

Accessibility statement: Alternative text has been assigned to each image in the Campus Art collection. Please contact [email protected] if further assistance is needed.

For general inquiries about this collection, please contact [email protected]

Printing is not supported at the primary Gallery Thumbnail page. Please first navigate to a specific Image before printing.

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  • Abstract stained-glass artwork in a dark frame featuring a vivid blue spiral surrounding a bright red center. Angular pieces of blue, turquoise, green, pink, yellow, and red glass radiate outward, with white lightning-like streaks near the top against a deep blue background. by Stephen Wilson

    Resurrection: Storm

  • Abstract stained-glass panel in a dark wood frame featuring swirling shades of deep blue, turquoise, and violet. At the center, a cluster of bright orange, red, and green glass forms an energetic focal point surrounded by curved blue shapes suggestive of waves or motion. A white splash-like form appears near the top against a vivid cobalt-blue background. The lower section contains fragmented red, pink, purple, and yellow pieces intersected by dark lead lines, creating a sense of tension and movement. by Stephen Wilson

    Resurrection: Struggle

  • A framed painted portrait of a seated white man wearing a dark blue suit, light blue shirt, and patterned tie. The person sits in a wooden armchair with hands gently clasped in their lap, facing slightly toward the viewer. The painting shows neatly combed light-colored hair, a small mustache, and a calm, neutral facial expression. The background is a soft gradient of muted gray and blue tones, with no visible setting details. The artwork is bordered by an ornate gold-colored frame, and a small metallic nameplate is centered along the bottom edge of the frame. by William Branks Stewart

    Reynolds, Chapman

  • Framed painted portrait of a man wearing glasses, a dark suit, white shirt, and patterned tie, posed against a soft blue-gray background.

    Rigby, Perry Gardner

  • Framed painted portrait of a white man seated facing forward. The person wears a gray suit jacket, matching vest, white shirt, and blue tie, with round eyeglasses. The background shows a pale architectural arch with decorative columns. The painting is bordered by a thick gold frame, and a small nameplate with engraved text is visible centered at the bottom of the frame. by Cowell

    Rives, James D

  • Framed formal portrait of a man seated in an office, wearing a dark suit, white shirt, and light blue patterned tie. Certificates or diplomas hang on the wall in the background.

    Rock, John Aubrey

  • Black-and-white studio portrait of a woman facing the camera, wearing a light high-collared top, a jacket, and large sculpted earrings against a dark background.

    Ryan, Donna Harrington

  • Black-and-white head-and-shoulders portrait of a woman facing the camera, wearing a collared jacket, with hair pulled back and a plain studio background.

    Sanders, Mary Ella

  • Framed painted portrait of a white man shown from the chest up, facing slightly to the viewer’s left. The person has short dark hair, a small mustache, and wears a dark formal jacket with a light shirt and tie. The background is dark and softly shaded, and the portrait is set within a gold-colored wooden frame with visible wear. by Franco Ruggiero

    Schweitzer, Jean F

  • Framed studio portrait of an older adult with a receding hairline and short hair, wearing large eyeglasses, a light-colored dress shirt, a patterned tie, and a textured suit jacket. The subject is positioned facing forward against a solid blue background, with even lighting and a neutral facial expression. The photograph sits inside a light wooden frame.

    Shannon, John "Sam"

  • A framed painted portrait of an older white man with a receding hairline and glasses, seated at a desk and wearing dark academic robes with green velvet panels and sleeve stripes. He rests one hand on the desk beside several books, with a dark blue-gray background and a gold frame surrounding the painting. by John Parker

    Simmons, Robert L.

  • An oil-painted portrait of a white man shown from the chest up, wearing a dark suit jacket, white shirt, and dark bow tie; he has a beard and mustache. The person faces forward against a dark, neutral background. The painting is set in an ornate, gilded frame with elaborate floral and scrollwork decoration along all sides, giving the artwork a formal, historical appearance. by Franco Ruggiero

    Smith, Thomas

  • A colorful, impressionistic painting of a lively city street filled with people holding balloons. Bright reflections in yellow, blue, and pink cover the ground. A building with a “GRAND REX” sign stands on the right, while tall buildings, a flowering tree, and a lattice tower rise on the left. In the lower right, figures on horseback and a herd of animals blend into the dreamlike, misty background. by John Hawxhurst

    South America

  • Black-and-white portrait of an older white man with glasses, seated in an office chair. He smiles while resting his hand against his face, wearing a short-sleeved white shirt and patterned tie, with bookshelves visible behind him and a small name plaque mounted below the photograph.

    Spitzer, John J. (b&w photo)

  • A framed studio portrait of a white man wearing glasses, a dark suit jacket, a white shirt, and a patterned tie, posed against a softly blended blue-gray background. The portrait is set in an ornate gold frame, with a black-and-gold nameplate centered at the bottom

    Spitzer, John J. (color photo)

  • A framed oil painting depicting a white woman seated in a wooden chair, wearing a long dark robe with a white bib-like garment and a large, structured white head covering that rises into two pointed curves. The subject faces forward with hands resting on the arms of the chair. The background is plain and brown-toned, and the painting is enclosed in an ornate gold frame with decorative detailing. by Franco Ruggiero

    Stansilaus, Sister

 

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